The photograph

The photograph is the positive result of a long journey from making the negative to the print. Once you get to the point of printing it starts another odyssey of creativity, along with another set of decisions as to what materials you are going use to produce those wonderful photographs.

Recently a photographer said he only uses the materials of his chosen manufacture to produces his images. His position is they know best so why make things difficult by using different products. At one time I was the same using paired paper and developer to produce prints. But with the death my father I'm questioning this approach; it has made me seriously think about the materials I choose to use. Why? Because life's too short for such restrictions and I've started to believe that the choice of materials you choose to use has a direct impact on the look of the final image and therefore it's style.

In today’s world of analogue photography there is not the vast array of papers there used to be. Light sensitive papers fall into three tonal types: neutral, cold and warm and come as resin coated and fibre base with a number of different finishes. Now-a-days the main stream papers are variable grade meaning you no longer need to stock a number of set grades of each type of paper you prefer to use. This has given greater freedom to stock a number of manufacturers paper types. For example I have stocks of Ilford, Foma, and Adox on the shelf in warm, cold and neutral tones. This has given greater creative latitude when it comes to exposing negatives, this has lead to less stringent light meter readings and less time trying to make the conditions fit the grades of your printing stock. I have in the past used a particular developer for my prints so it conveys a feeling on the subconscious level, for example, adding warmth when in fact the scene is cold. Is this not part of the creative process? For some it would seem not.

Analogue photography is all about the photograph. If you do not hand print your pictures you are missing out.

Accompanying pictures: 

All images scanned from photographs. The papers used in order of appearance, Kentmere VC select RC gloss, Ilford Multigrade 4 RC gloss, Fotospeed RC gloss, Foma 542 chamois FB gloss. 

Since writing this the wonderful Foma chamois has been discontinued.

Photography a bit of a strange fish.

Nowadays photography is referred to as a visual art bringing it into line with the more traditional painting, drawing and sculpture, to name some of the most obvious visual art forms.

What confounds me with photography is the obsession with the equipment and processes to the detriment of the image. After all, the camera is only the paint brush that allows the artist to convey their vision of the world, and yet photographs get bogged down in all the beguiling wizardry of what is essentially a little black box with or without a lens attached at one end and some light sensitive material with a switch that lets the light flood in when pressed.

The most important part of this symbiosis is the eye and mind behind the box. Without it, these boxes are fancy bits of sculpture sitting on a shelf and yet we talk non-stop about this feature or other. That at the end of the day the image you make will not throw it's hands up in the air and stamp it's feet because you are not using the latest most expensive technology!

 If you have one of these wonderful bits of wizardry, should you not do it justice and make wonderful compelling images? The real crime is that most of these pictures languish on a computer or photo sharing site are not necessarily the best you can produce? - those you feel are really well crafted will they ever see the light of day as a print or photograph hanging on the wall or better still someone else's?

 

The images that appear here are a mix of digital and film.