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Sunday, 31 January 2016

Patterns of negative grain.

RO9 developed FP4+

Ever since I started writing this blog I have been looking for a way to show you what grain is produced by different developers. I have used a number of methods without success over the years. Until late last year when the need to show what the grain looked like raised it's head again. By chance I had my phone in my hand when the idea to use the enlarger and phone camera together came about. It is one thing to have a good idea it is another to put it into Practice.


PMK Pyro developed FP4+


A long time later I managed to get two good images from different rolls   of 120 FP4+ that I was happy with. They show a visible difference between the one developed in PMK Pyro and the other developed in R09.

 When I have more time I will make  images of other film developer    combinations if you are interested.   

Wednesday, 27 January 2016

FB papers developed in Tetenal new Eukobrom AC.

Four papers side by side.
There is not a great deal I can add to what I have already written about Eukobrom AC. I was not expecting to show you a set of FB prints so soon after my first use of this new developer. The questions I still have need a good amount of time to pass.


Ilford neutral tone  fibre paper.

A partial answer to one question is that the developer will keep for at least three days after dilution. As long as it is bottled at the end of each session when being used in a tray. A litre of 1+9 strength so far has produced twenty images of mixed sizes. According to Tetenal you should get about 1,353 prints of 30 x 24 cm out of each 250 ml of concentrated developer. Which works out at about 54 prints per 100 ml diluted at 1+9. Obviously in practice this will vary depending on dilution, paper and conditions of use.



 
Ilford warmtone Fibre paper

While I was developing the FB images I did notice that different    papers could take up to sixty seconds before they started to show any signs that the paper had been exposed and a further sixty to complete the process. Knowing when the increase in images appearance is down to reduced developer activity will take time to discover.




Ilford cooltone fibre base paper
I chose three makes of FB paper: Ilford cooltone, warmtone and natural - all gloss, Fomatone MG classic chamois 542 matt and Adox MCC gloss. All the papers were exposed at grade three but unlike their RC brothers the exposure time had to be adjusted as some of the papers required a lot less light. Again the tones had good separation, rich blacks and clear whites.




Fomaspeed 524 matt warmtone.
Of the three Ilford papers the natural paper took on a cool tone, where as the cooltone took on a warmish tone. This could be the first indication that the developer is depleting. If this is the case then it is exhibiting the same traits as those traditionally produced. The slight colour change indicating that the silver has not been fully developed. I have written about the changes of colour you can expect from exhausting developer in another article.


When it come to pushing or pulling the print (This is where you over expose the paper then pull it from the developer when it has reached full development before the suggested time for full development.) I have so far kept to standard use.
Adox MCC fibre paper


If you have not tried it yet give it a try. If you have used it let us know - always interested in what others think.  

Saturday, 16 January 2016

Welcome to 2016

Seeing as this is the first post of the year I would like to say a big thank you to our subscribers and follows for dropping by over the past year and anyone else who happens to stumble across us. I would also like to thank the back office for all there help with editing etc. I have to admit if it was not for their over site some of what you have read would have been incomprehensible rambling in jigsaw puzzle.

I have changed the header picture for 2016 . It is the back of an Agfa Isolette that was given to me. I would use it more but it has a light leak that I have not had time to repair. Something I may get round to this year but I will not hold my breath. Also I'm going to mix it up with some different types of post, for instance - all picture. Not sure exactly what else I am going to do but I'm sure you will let me know if they are any good. 

The blog ended the year with a bit of a flourish adding a number articles for the festive period to keep you amused. If you missed them here is a list:
I also released a book of drawings on blurb - not what you would expect but that is the point, here is a link if you are interested in having a look.

I have been reading an online Photography magazine from New Zealand called F11 (current issue) it features three photographers each month with an in depth look at their work. They have featured over the months some stunning images made by digital and analogue practitioners.

You can only get the magazine online by subscribing for the free app! Yes that's right free! - to read live or download for later. It has a host of live links in among the articles that take you to more pictures and or related info. It is well produced and a bit of a gem seeing the amount of work that must go in to producing each issue. There is also a list of back issues you can read or download to read off line as well. Here's the link if you are interested.

Before I go I'm going to leave you with this from Henry Carter Bresson.

The photograph is to hold one's breath, when all faculties converge to capture fleeting reality.
It is that precise moment that mastering the image becomes a great physical and intellectual joy.