|All the photo's side by side|
Over the last few months it looks like I have gone RO9s mad. I have! it is the new toy in my developing arsenal. I'm enjoying the quality of the negatives and not having to make up developer every time I want to process a film. It is still new enough for me to think I have forgotten to do something as I pour the liquid in the developing tank. With all this effort being spent on this developer it has made me think about its brother RO9 and it's attributes in connection with pinhole photography.
|Image from PMK Pyro developed negative printed|
on Ilford multi grade RC gloss.
Let me explain: RO9 is described as having a number of qualities, the main one here being, high acutance producing a very sharp looking image - a bit like sharpening a digital file in Photoshop. The idea that this developer may do this to the processed negatives has been a splinter in my mind for sometime, that I have been compelled to dust off my Zero pinhole camera to find out if it does make a difference.
|Image from RO9 developed negative.|
Printed on Kentmere RC gloss
I always feel very relaxed after I have spent time making images with this camera, I should use it more often. Anyway I loaded it with Fomapan 100 set to a 6x6 negative size.
With the twelve images made it was into the darkroom to process the film. It was developed in the RO9 for thirteen minutes. The density of the negatives was as expected. With the new crisp looking negatives hanging up to dry what should I compare them with? After searching back in my archive of negatives it looks like the only other developer I have used when making images with the Zero is PMK Pyro. This developer is not known for it's sharpness but at least I did not follow the method through by using an afterbath. Which can add a further softening of the image by adding tone.
|Zero pinhole set to 6x6 120 negative size|
My comparison was never going to be very scientific. It was always going to be a case of would I be able to see a difference with the naked eye. You may feel that the comparison is unfair and to a certain extent you are right. To counter this I will compare the RO9 negatives with those produced with a lensed camera. If the RO9 is a sharpening developer it should be noticeable.
|Image made using a camera lens.|
35 mm Agfa APX 100 developed ID11
When looking down the focus finder at the different developed negatives the difference in grain structure jumps out at you. The PMK Pyro neg's are so smooth it is difficult to bring the the grain into sharp focus. Where as the RO9 grain looks like boulders. So does this defined structure indicate that the negatives will be sharper?
I enlarged the negatives to fill the 9 x 12 Kentmere RC gloss paper, instead of the smaller 6X6 square format of the negative. I wanted to see if the grain would be more exaggerated by doing this. To my surprise they lack the graininess I was expecting. In fact they are very smooth and defined.
|RO9 developed negative printed|
on Kentmere RC gloss
With all the photographs laid out side by side is there a visual difference in sharpness? The straight answer is Yes but not enough to say if you want sharper lens-less images use Ro9. When you compare the PMK negatives with the RO9 ones there is slightly better definition to the edges of the subject giving you the sense that the pictures are sharper. It does not take away that distinct soft focus you get with pinhole cameras. If you then put a lensed print beside the RO9 developed picture you can see that it is very soft in the pinhole tradition. It shows that when using RO9 there is a sharpened quality to the photographs.
|PMK Pyro developed image printed on Fomaspeed|