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Wednesday, 27 January 2016

FB papers developed in Tetenal new Eukobrom AC.

Four papers side by side.
There is not a great deal I can add to what I have already written about Eukobrom AC. I was not expecting to show you a set of FB prints so soon after my first use of this new developer. The questions I still have need a good amount of time to pass.


Ilford neutral tone  fibre paper.

A partial answer to one question is that the developer will keep for at least three days after dilution. As long as it is bottled at the end of each session when being used in a tray. A litre of 1+9 strength so far has produced twenty images of mixed sizes. According to Tetenal you should get about 1,353 prints of 30 x 24 cm out of each 250 ml of concentrated developer. Which works out at about 54 prints per 100 ml diluted at 1+9. Obviously in practice this will vary depending on dilution, paper and conditions of use.



 
Ilford warmtone Fibre paper

While I was developing the FB images I did notice that different    papers could take up to sixty seconds before they started to show any signs that the paper had been exposed and a further sixty to complete the process. Knowing when the increase in images appearance is down to reduced developer activity will take time to discover.




Ilford cooltone fibre base paper
I chose three makes of FB paper: Ilford cooltone, warmtone and natural - all gloss, Fomatone MG classic chamois 542 matt and Adox MCC gloss. All the papers were exposed at grade three but unlike their RC brothers the exposure time had to be adjusted as some of the papers required a lot less light. Again the tones had good separation, rich blacks and clear whites.




Fomaspeed 524 matt warmtone.
Of the three Ilford papers the natural paper took on a cool tone, where as the cooltone took on a warmish tone. This could be the first indication that the developer is depleting. If this is the case then it is exhibiting the same traits as those traditionally produced. The slight colour change indicating that the silver has not been fully developed. I have written about the changes of colour you can expect from exhausting developer in another article.


When it come to pushing or pulling the print (This is where you over expose the paper then pull it from the developer when it has reached full development before the suggested time for full development.) I have so far kept to standard use.
Adox MCC fibre paper


If you have not tried it yet give it a try. If you have used it let us know - always interested in what others think.  

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