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Showing posts with label fb papers. Show all posts
Showing posts with label fb papers. Show all posts

Tuesday 10 January 2017

Fading face?

One day later
I don't know about you but sometimes my mind wonders when I am processing photographs in the darkroom. I just can not help it, especially when an FB paper is involved, as sometimes it can be minutes till it is fully developed.

It was on one of these occasion that I started thinking about how long it would take for a developed image, but not fixed, to disappear. I have always thought it would be seconds once you turn on the light. Don't ask me where I got this notion from it is almost folk law among film uses. It is known that if you accidentally do it with film it all go's black straight away. Well the truth is, it can be saved if you are quick.




So what about photo paper? Firstly unexposed paper go's pink in day light and not black as I was expecting. The longer it is in the light the pinker it gets till it go's a pinky brown colour.













OK! a developed but not fixed image also degrades the same way but the image does not fade to black ether. In fact there is not much change a day later if left out on the table.


What is the biggest surprise of all nine months later and the image is just visible. You must bear in mind that it has not been in full day light all the time. I did notice that it had a couple of books on top of it for a time. It has well and truly surpassed any of my expectations. Just go's to show what you think you know may not bear any relation to the facts.




Technical data:

The images have been enhanced to help show the colour change digitally. The test strip appears in order of age from a couple of days to the last one nearly a year old and still going. I like the effect it has produced on the test strip. The paper is Ilford FB natural gloss. Developed in Ilford multigrade and washed, no stop or fix was used.

Last
What image looks like when processed
properly.










Wednesday 27 January 2016

FB papers developed in Tetenal new Eukobrom AC.

Four papers side by side.
There is not a great deal I can add to what I have already written about Eukobrom AC. I was not expecting to show you a set of FB prints so soon after my first use of this new developer. The questions I still have need a good amount of time to pass.


A partial answer to one question is that the developer will keep for at least three days after dilution. As long as it is bottled at the end of each session when being used in a tray. A litre of 1+9 strength so far has produced twenty images of mixed sizes. According to Tetenal you should get about 1,353 prints of 30 x 24 cm out of each 250 ml of concentrated developer. Which works out at about 54 prints per 100 ml diluted at 1+9. Obviously in practice this will vary depending on dilution, paper and conditions of use.

While I was developing the FB images I did notice that different    papers could take up to sixty seconds before they started to show any signs that the paper had been exposed and a further sixty to complete the process. Knowing when the increase in images appearance is down to reduced developer activity will take time to discover.



Ilford cooltone fibre base paper
I chose three makes of FB paper: Ilford cooltone, warmtone and natural - all gloss, Fomatone MG classic chamois 542 mat and Adox MCC gloss. All the papers were exposed at grade three but unlike their RC brothers the exposure time had to be adjusted as some of the papers required a lot less light. Again the tones had good separation, rich blacks and clear whites.




Of the three Ilford papers the natural paper took on a cool tone, where as the cooltone took on a warmish tone. This could be the first indication that the developer is depleting. If this is the case then it is exhibiting the same traits as those traditionally produced. The slight colour change indicating that the silver has not been fully developed. I have written about the changes of colour you can expect from exhausting developer in another article.
 
Fomaspeed 524 matt warmtone.


When it come to pushing or pulling the print (This is where you over expose the paper then pull it from the developer when it has reached full development before the suggested time for full development.) I have so far kept to standard use.
Adox MCC fibre paper


If you have not tried it yet give it a try. If you have used it let us know - always interested in what others think.