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Showing posts with label new. Show all posts
Showing posts with label new. Show all posts

Wednesday, 27 January 2016

FB papers developed in Tetenal new Eukobrom AC.

Four papers side by side.
There is not a great deal I can add to what I have already written about Eukobrom AC. I was not expecting to show you a set of FB prints so soon after my first use of this new developer. The questions I still have need a good amount of time to pass.


A partial answer to one question is that the developer will keep for at least three days after dilution. As long as it is bottled at the end of each session when being used in a tray. A litre of 1+9 strength so far has produced twenty images of mixed sizes. According to Tetenal you should get about 1,353 prints of 30 x 24 cm out of each 250 ml of concentrated developer. Which works out at about 54 prints per 100 ml diluted at 1+9. Obviously in practice this will vary depending on dilution, paper and conditions of use.

While I was developing the FB images I did notice that different    papers could take up to sixty seconds before they started to show any signs that the paper had been exposed and a further sixty to complete the process. Knowing when the increase in images appearance is down to reduced developer activity will take time to discover.



Ilford cooltone fibre base paper
I chose three makes of FB paper: Ilford cooltone, warmtone and natural - all gloss, Fomatone MG classic chamois 542 mat and Adox MCC gloss. All the papers were exposed at grade three but unlike their RC brothers the exposure time had to be adjusted as some of the papers required a lot less light. Again the tones had good separation, rich blacks and clear whites.




Of the three Ilford papers the natural paper took on a cool tone, where as the cooltone took on a warmish tone. This could be the first indication that the developer is depleting. If this is the case then it is exhibiting the same traits as those traditionally produced. The slight colour change indicating that the silver has not been fully developed. I have written about the changes of colour you can expect from exhausting developer in another article.
 
Fomaspeed 524 matt warmtone.


When it come to pushing or pulling the print (This is where you over expose the paper then pull it from the developer when it has reached full development before the suggested time for full development.) I have so far kept to standard use.
Adox MCC fibre paper


If you have not tried it yet give it a try. If you have used it let us know - always interested in what others think.  


Saturday, 30 June 2012

Adox in PMK Pyro results.

Test stips at twenty and ten
Minutes

The results are in! This has turned out to be one of the most exasperating tests to date. There have been problems all along the way from getting the exposures right to developing the film. Having said that there have been some surprises.

As with the Agfa test the film was exposed at box speed ISO 100 in the Nikon F5. This is where the process changes apart from the test method. The PMK Pyro used was one I made from raw material that did not include EDTA disodium in the mix and a reduced amount of Sodium Metaborate in solution B.

Sequence of development:

         Pre-soak - it makes no difference with this film. It is not prone to air bell/bubbles sticking to the film.
         Developer - to be made up immediately before use at 21 degrees C.
         Development times - for this test were 5, 10, and 20 minutes respectively.
         Tank inversions - continuously for the first minute and then once every fifteen seconds.
         Stop, Fix and wash - as normal.
         After bath - was not used and would have made little difference with this mix.
Notes:
Adox CHS 100 PET 35mm is not like other black and white film it has a noticeable thinner film base which is coloured blue. The cassette this film came in was not light tight which almost ruined the test. I only discovered this after the film had been exposed, when removing the film from the cassette it fell to bits. I have read a forum thread saying that the 120 roll film has the same problem. Adox you need to up your game! It is appalling quality control.


Pre-soak water after use
If you use a pre-soak the water will come out blue.


The ten minute development time is the one suggested by Digital truth, which made it the reference time the other test strips were to be judged against.





Results
All the test strips including the one thats a no show.
The test strip to show the best density of negative is the twenty minute one, having said that they are still a bit on the thin side. This does not take away from the fact that they are fully toned and well defined. There is no sign of grain when enlarged to 485 mm (19”) by 340 mm (13.5”). When printing the negatives I'm having to use grade three, normally I would expect to be using grade two, this could be due to the lack of EDTA in the mix of Pyro used. I'm also disappointed that the five minute test strip shows no negatives at all, from previous experience the shorter/half development times have a faint out line. In this case I can only put it down to the faulty film cassette. The ten minute test strip is very thin when compared to the Agfa test strips it is thinner than the half development time. Which suggests that normal development in this case should be greater than twenty minutes.

Over sized enlargment


With all the time and effort put into this test the last thing I was expecting was to be let down by bad manufacture. Of the thirty six exposures on the film around about  ten frames are unaffected by some light damage luckily the majority of these are from the test exposures that put in an appearance. If there was going to be any question marks I was thinking it would be from the developer but it did not disappoint, the only thing to note was when i poured it from the developing tank it was a lovely pink rose colour.

Will I be using the film again? Yes! only because I have a roll of 120 on the shelf if the negatives show any light damage then I will not use it again. How can I say that when I use a lot of out of date film? With out of date film at least you know that the results could be iffy. You don't expect it from new in date stock.
Used PMK Pyro.