This is
the rule on tilting the easel and carries on from my last post. The most accurate way of correcting distortion
is to use Scheimpflug's principle: This states that you should tilt the
negative as well as the baseboard and that they need to be canted over in
opposite directions to each other. Additionally the incline should be such that
the plane of the negative and the plane of the baseboard should meet in the
plane of the aperture to give maximum sharpness over the whole image.
You will
find that the more expensive enlargers allow the plane of the negative to be
tilted, add a tilting easel to the mix and the results produced can be
remarkable.
Related posts:
Tilting the easel.
Related posts:
Tilting the easel.
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