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Showing posts with label delux. Show all posts
Showing posts with label delux. Show all posts

Monday, 20 December 2021

Preparing the Zero Pinhole Camera for use.


Using this camera is a real step back in time requiring you to put aside all those luxuries that the modern photographer has taken for granted. After all, it is just a box with a pinhole in it, the ultimate manual experience from loading the film and remembering to wind it on, to calculating the shutter speed.



Loading the film:

To start with you need to load a roll of film. That's obvious, most film cameras need film to work. If you are like me it has been a long time since you looked at the backing paper of a roll 120 film. I had forgotten that it is marked for the four different sizes in the 120 family and with the multi format camera it has three red coloured windows in which to view the film numbers. It also has a set of symbols that tell you when the number is about to appear in the window which also marks the middle of the frame. With this set up you cannot blame anyone else for winding it on to far, so it is a good idea to take it slow and gentle in the beginning. Before loading the film you need to set the format your going to use, once the back and top are in place, it is time to advance the film so the light-sensitive material is in front of the pinhole. When winding on you may notice that it becomes quite tight, this is where the celluloid attached to the backing paper is being drawn in front of the light box. Just continue gently on until the first frame number appears behind the little red window. Now the camera is primed for light capture.



Calculating exposure;

The Zero cameras aperture is set at F 235, it is important to remember this as this number is not written on the calculator attached to the back of the camera. The calculators outer ring shows shutter times from 8000 ths of a second too 15 hours, the inner ring shows F numbers from F 1.4 to F 500.


Please note that all the figures that follow are based on a film speed of 100 ISO.

Today, for example, my light meter is showing a light reading of F 5.6 @ 500 ths of a second. Now using the calculator move the dials so F5.6 is opposite 500 ths of a sec., then find F 235 on the outer ring and read off the time opposite which is about 3 second; you will need to make an adjustment for reciprocity effect by a factor of 2 making an exposure time of 6 seconds. I say 'about' because the next F number is 250 with an indicated shutter time of 4 seconds. To start with it is a bit hit and miss, that is why it is a good idea to make notes on shutter times so you can see where to make adjustments once the film has been developed.

You will need to make adjustments for the reciprocity effect as follows:

  • From 1 second and over compensate by multiplying by 2 giving an exposure of 2 seconds.
  • From 5 seconds and over compensate by multiplying by 5 giving an exposure of 25 seconds
  • From 50 seconds and over compensate by multiplying by 12 giving an exposure of 600 seconds/11 mins.



Tuesday, 16 February 2021

Zero double take project first results.


Zero 6x9 pinhole camera.


As I sit here reviewing the first batch of photographs from double take, the wind and the rain is still lashing the property - something it has been doing for the last twenty four hours. I'm pleased to be inside in front of a warm fire with Tabatino who is stretched out in front of it like a rug. 


Zero 6x9 pinhole camera.
 






The contact print shows that the second exposures are quite weak and will require dodging and burning to make their presence felt. With this in mind I  have been using half page test strips  so I can see how much more exposure is needed to bring out the weaker parts of the negative. This has given me a better overall idea of how much extra time the weaker parts of the picture need so I can get as close as possible to what the final print will look like. Having  chosen to use 6x6 negatives I find myself cropping them to a landscape frame size giving me more choice over which parts of the negative make the final composition and partly to get the best use out of the paper size. I'm using Silverprint's gloss proof paper mainly because I believe it has added something to the overall expression of the photographs.


Zero 6 x 9 pinhole camera.



The results of this first film have been a pleasant surprise in that most of the negatives have produced picture combinations that work well. Whether this is down to luck or the pre-planning in the picture combinations only time will tell. The day I took the pictures was a challenge in that it was windy with a broken cloud sky that was fast moving making metering each shot difficult. By the time I had worked out the shutter speed and opened it the scene in some cases had gone from bright sunshine to dull and overcast or vice versa. It just goes to show how forgiving film is when it comes to exposing it in rapidly changing light conditions over extended periods. These were printed at grade 3 and not my more common split procedure.


Technical data: 

Film 120 FP4+ set to 6 x 6 negative size, developed in PMK Pyro, Printed on silverproof paper, developed in Ilford warmtone developer.